Tchaikovsky Piano Concerto No. 1 with Seong-Jin Cho and Bernstein Chichester Psalms | E Pluribus Unum: From Many, One
In association with On Being: Krista Tippett in Conversation with Nicole Krauss
Before hearing Leonard Bernstein’s Chichester Psalms, attend a special live conversation taking inspiration from this life-affirming work. Krista Tippett and Nicole Krauss explore Jewish identity, memory, and the creative spirit at Temple Ohabei Shalom on Jan. 14.
Please note there is an additional performance on January 16 that will not include Bernstein's Chinchester Psalms.
Please note there is an additional performance on January 16 that will not include Bernstein's Chinchester Psalms.
Seong Jin Cho
Image credit:
Christoph Köstlin
Tchaikovsky Piano Concerto No. 1 with Seong-Jin Cho and Bernstein Chichester Psalms | E Pluribus Unum: From Many, One
*performed with English supertitles
Continuing our E Pluribus Unum: From Many, One celebration, the BSO’s principal flute, Lorna McGhee, makes her solo debut with the orchestra in American composer Allison Loggins-Hull’s Rhapsody on a Theme by Joni, an ebullient tribute to the phenomenal Canadian American singer-songwriter Joni Mitchell. Leonard Bernstein wrote Chichester Psalms for a choral festival in Sussex, England, blending Christian and Hebrew traditions in one of his most accessible and life-affirming works.
What gives with Tchaikovsky on an E Pluribus Unum: From Many, One program? And why include Tchaikovsky on an E Pluribus Unum program? Boston—a few years before the BSO was founded— hosted the world premiere in 1875 of a work that is now one of the most popular of all concertos.
The Fernand Gillet Concert
*performed with English supertitles
Continuing our E Pluribus Unum: From Many, One celebration, the BSO’s principal flute, Lorna McGhee, makes her solo debut with the orchestra in American composer Allison Loggins-Hull’s Rhapsody on a Theme by Joni, an ebullient tribute to the phenomenal Canadian American singer-songwriter Joni Mitchell. Leonard Bernstein wrote Chichester Psalms for a choral festival in Sussex, England, blending Christian and Hebrew traditions in one of his most accessible and life-affirming works.
What gives with Tchaikovsky on an E Pluribus Unum: From Many, One program? And why include Tchaikovsky on an E Pluribus Unum program? Boston—a few years before the BSO was founded— hosted the world premiere in 1875 of a work that is now one of the most popular of all concertos.
Supported by
E Pluribus Unum: From Many, One events are generously supported by:
Catherine and Paul Buttenwieser
Barbara and Amos Hostetter
With additional support from:
Ann Merrifield and Wayne Davis
Clark and Susana Bernard
This week's performances by the Tanglewood Festival Chorus are supported by the Alan J. and Suzanne W. Dworsky Fund for Voice and Chorus.
Seong-Jin Cho’s performance is supported, in part, by the E. Nakamichi Foundation.
Allison LOGGINS-HULL Rhapsody on a Theme by Joni, for flute and orchestra (co-commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the New Works Fund established by the Massachusetts Cultural Council, a state agency.)
Supported by
E Pluribus Unum: From Many, One events are generously supported by:
Catherine and Paul Buttenwieser
Barbara and Amos Hostetter
With additional support from:
Ann Merrifield and Wayne Davis
Clark and Susana Bernard
This week's performances by the Tanglewood Festival Chorus are supported by the Alan J. and Suzanne W. Dworsky Fund for Voice and Chorus.
Seong-Jin Cho’s performance is supported, in part, by the E. Nakamichi Foundation.
Allison LOGGINS-HULL Rhapsody on a Theme by Joni, for flute and orchestra (co-commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the New Works Fund established by the Massachusetts Cultural Council, a state agency.)
